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speakers > Carrie Gates

Carrie Gates VJ

Carrie has been VJing since 2004, and she is the madwoman behind this Otherartists/VJ scenario. She trains VJs, does all the bookings and the website, and rocks the video mixer across Canada. Her style is diverse, but always sensual, provocative, and visceral.

Event: Guest Speaker talk and VJ performances- topic and date TBA.
Status: Subject to funding.

From Carrie: I started VJing about 4 years ago or so...I was a performance artist at electronic music events in the early 90s, and I've been DJing experimental, noise, exotica, and glitchy beats for about 12 years now, too. I started getting into VJing because I was looking for more ways to enhance the fantastic, synaesthetic qualities of special event spaces...I was also looking for more technical and aesthetic challenges to broaden my artistic practice and intellectual life. I am always hungry to try new things and I have taught myself almost everything about VJing that I know. The exception would be the self-directed training I had in Max/MSP/Jitter this last year, where I studied with Kero, as well and Laura Kavanaugh and Ian Birse, with the help of a Saskatchewan Arts Board grant. Bless 'em :)

Now I teach other people how to VJ across the Prairies, and I've got teaching gigs for Arkaos and Jitter in Edmonton and Vancouver next year! Oh, rapture! I have an assistant, Leeane Berger, whom I have been working with since last winter. She's now at the point where she can do her own shows, and she is making a ton of really cool content and writing her own video mixer patches in Pure Data. I also have 2 other (lady!) VJs-in-training that help me from time to time when Leeane is busy (and there isn't really anyone else in the province who VJs professionally, so we're definitely representing with the ladies around here!).

Leeane and I also just finished teaching a 2 week long VJing class (using Arkaos) at a high school in Prince Albert as part of a Computer Science class in conjunction with Common Weal Community Arts. The students, Leeane, and I collaborated with singers and dancers from other schools across the city to create three performances at the end of the two weeks. It was such a great experience...so exciting and so surprising, every day. I can tell you more about it sometime if you're interested ;)

I make about 95% of the clips that I use in my performances. The ones I use that are made by other people are Creative Commons licensed clips, mostly from archive.org, or they were given to me directly by my friends. I also release some of my VJ clips and single-channel videos on archive.org. here's a quick link to snoop around in some of my archives:

http://www.archive.org/search.php?query=%22Carrie%20Gates%22

Of course, I've also got a YouTube page for keeping more goodies, although I wouldn't say that my VJing looks quite like these videos...the live stuff is a lot more complex.

My technical setup consists of two Mac laptops, running Max/MSP/Jitter patches I programmed myself, a MIDI controller, Arkaos, Cosmic Painter, and some crazy no-input video mixer tomfoolery. Sometimes I use live cameras, and sometimes I do live processing of the audio feed from a collaborator to affect the video feeds.

Here's some links to outlines of some of the classes I've taught:

Oh yes, and I also have a no-input audio and video mixer duo with Jon Vaughn called "J + C Feedback Factory". We played at the send + receive festival in the spring, and it was very well received. There are videos and such here:

I also work in new media professionally, but at the University of Saskatchewan. Last year, I worked at the Human-Computer Interaction Lab as a Researcher of new technologies for many-to-one communication between audiences and DJs in nightclubs. Did the publishing thing with them, yep. Now I work for the Division of Media and technology as a Multimedia Programmer. I organize traveling new media artist talks independently, and sometimes I host media art workshops at my house in fun stuff like circuit bending and Pure Data.

Stuff I could be doing at Byte Me! Festival:

1) VJ performance: utilizing Max/Jitter patches, a MIDI controller, Arkaos, and no-input mixing techniques, Carrie will crimp your eyelashes with her sensual, psyched-out mix of synaethetic delights. Sensations abound when her intimate and original footage is mixed in conjunction with live sound, creating a haptic space where perceptions of the physical world become fantastic and uncanny.

2. Arkaos workshop: Utilizing Arkaos VJ software, Carrie will lead the workshop participants through discussions and demonstrations of: aesthetics of the interactive improvised video image, various philosophies on copyright for VJs, the basics of video capture and compression for VJ software-ready clips, basic hardware configuration, Arkaos basics, and performance and collaboration tips. Participants may bring either Mac or PC laptops with the free demo of Arkaos installed. if time permits, carrie may also briefly overview other types of VJing software, such as Cosmic Painter, dervish, Modul8, and Max/MSP/Jitter.

3. Jitter workshop: participants will learn the basic principles of how to create their own video mixing program using Max/MSP/Jitter software. Patches (programs) can be published to run solely with the (free) Max Runtime environment for those taking the workshop who don't own licensed copies of Max.

4. Panel Discussion: In conjunction with other VJs and theorists at the Byte Me! festival, I would like to propose a panel discussion on copyright and Creative Commons issues for VJs.

5. Panel Discussion: In conjunction with other VJs and theorists at the Byte Me! festival, I would like to propose a panel discussion on the role of women in the rise of VJ culture worldwide.

6. Live Demos: If there is some sort of open area for the public, we could set up a VJing studio that people could drop by and participate in, without the pressure of them having to commit to a workshop. I imagine a couple of big tables, a couple of projectors, a few black, white, and chromokey green backdrops...a couple of cameras, some lights, and some VJs, madly at work, creating and compressing new clips on the spot...maybe a few fabulous accessories would help get people in the mood...but we could show people in a non-threatening environment how fun and rewarding it is to work behind the scenes as a VJ and see your video come to life in a live mix. Wouldn't this be fuuuuuuun!?!?!? (note from Kat: Yep... we call it Plug n Play! :)

I'm especially interested in talking to the other women involved in VJing and VJ theory, because while the festival is on, I will be in the process of curating an issue of Vague Terrain, an online Canadian electronic arts magazine, with the issue dedicated to audiovisual collaboration and the rise of the VJ.

video still collage by Carrie Gates, 2007

... the geek shall inherit the earth <